A good head and a good heart are always a formidable combination. Nelson Mandela
After climbing a great hill, one only finds that there are many more hills to climb.
Nelson Mandela
Communists have always played an active role in the fight by colonial countries for their freedom, because the short-term objects of Communism would always correspond with the long-term objects of freedom movements. Nelson Mandela
Does anybody really think that they didn't get what they had because they didn't have the talent or the strength or the endurance or the commitment? Nelson Mandela
is the most powerful weapon which you can use to change the world. Nelson Mandela
For to be free is not merely to cast off one's chains, but to live in a way that respects and enhances the freedom of others. Nelson Mandela
I cannot conceive of Israel withdrawing if Arab states do not recognize Israel, within secure borders. Nelson Mandela
I detest racialism, because I regard it as a barbaric thing, whether it comes from a black man or a white man. Nelson Mandela
I dream of an Africa which is in peace with itself. Nelson Mandela
I dream of the realization of the unity of Africa, whereby its leaders combine in their efforts to solve the problems of this continent. I dream of our vast deserts, of our forests, of all our great wildernesses. Nelson Mandela
I learned that courage was not the absence of fear, but the triumph over it. The brave man is not he who does not feel afraid, but he who conquers that fear. Nelson Mandela
If the United States of America or Britain is having elections, they don't ask for observers from Africa or from Asia. But when we have elections, they want observers. Nelson Mandela
If there are dreams about a beautiful South Africa, there are also roads that lead to their goal. Two of these roads could be named Goodness and Forgiveness. Nelson Mandela
If you talk to a man in a language he understands, that goes to his head. If you talk to him in his language, that goes to his heart. Nelson Mandela
If you want to make peace with your enemy, you have to work with your enemy. Then he becomes your partner. Nelson Mandela
In my country we go to prison first and then become President. Nelson Mandela
It always seems impossible until its done. Nelson Mandela
It is better to lead from behind and to put others in front, especially when you celebrate victory when nice things occur. You take the front line when there is danger. Then people will appreciate your leadership. Nelson Mandela
Let freedom reign. The sun never set on so glorious a human achievement. Nelson Mandela
Let there be work, bread, water and salt for all. Nelson Mandela
Wednesday, September 14, 2011
Tuesday, September 13, 2011
Hannibal Lecter
Hannibal Lecter is introduced in the 1981 novel Red Dragon as a brilliant psychiatrist who is incarcerated after having been revealed to be a cannibalistic serial killer. In the backstory, FBI special agent Will Graham, who investigated Lecter's murders but was unaware of his involvement, initially consulted Lecter about the case before realizing he was the culprit; Lecter nearly killed Graham when he was captured. The plot finds Graham consulting Lecter in order to catch another serial killer, Francis Dolarhyde, known by the nickname "The Tooth Fairy". Through the classifieds of a tabloid, The National Tattler, Lecter provides Dolarhyde with Graham's home address, enabling him to disfigure Graham and attempt to kill his family.
In the 1988 sequel The Silence of the Lambs, Lecter assists an FBI agent-in-training named Clarice Starling in catching a serial killer known as "Buffalo Bill". Lecter and Starling form an unusual relationship in which he provides her with a profile of the killer and his modus operandi in exchange for details about her unhappy childhood. Lecter had previously met Buffalo Bill, the former lover of his patient (and eventual victim) Benjamin Raspail; he keeps this information to himself, however, preferring to give Starling information in the form of clues and riddles designed to help her figure it out for herself. Lecter eventually stages a dramatic, bloody escape from captivity and disappears.
In the third novel, 1999's Hannibal, Lecter lives in Florence, Italy, under an assumed name, while Mason Verger, his surviving victim, attempts to capture Lecter with the intention of feeding him to wild boars. Verger enlists the help of Rinaldo Pazzi, a disgraced Italian police inspector, and Paul Krendler, a corrupt Justice Department official. Lecter kills Pazzi and returns to the United States to escape Verger's Sardinian henchmen, only to be captured. After helping kill Verger, Lecter rescues Starling and takes her to his rented lake house to treat her, after she was shot with several tranquilizer darts. During her time there he keeps her sedated, attempting to transform her into his dead sister Mischa through a regimen of classical conditioning and mind-altering drugs. One day, he invites her to a formal dinner where the guest and first course is Paul Krendler, whose brain they consume together. On this night, Starling tells Lecter that Mischa's memory can live within him instead of taking her place. She then offers him her breast, and they become lovers. The novel ends three years later with the couple living in Argentina.
Subsequently, Harris wrote a 2006 prequel, Hannibal Rising, after film producer Dino De Laurentiis (who owned the cinematic rights to the Lecter character), announced that he was going to make a film depicting Lecter's childhood and development into a serial killer with or without Harris' help. (Harris would also write the film's screenplay). The novel chronicles Lecter's early life, from birth into an aristocratic family in Lithuania in 1933, to being orphaned, along with his beloved sister Mischa, in 1941 when a German Stuka bomber attacks the Soviet tank that was in front of their forest hideaway, collecting water. Shortly thereafter, Lecter and Mischa are captured by a band of Nazi collaborators turned deserters, who murder and cannibalize Mischa before her brother's eyes. Lecter is so traumatized that he is rendered temporarily mute and later becomes fixated on cannibalism. Lecter escapes from the deserters and takes up residence in an orphanage (where he is bullied by the other children and abused by the dean) until he turns 16, when he is adopted by his uncle Robert and his Japanese wife, Lady Murasaki. After his uncle dies, Lecter forms a close, pseudo-romantic relationship with his step-aunt; during this time he also shows great intellectual aptitude, entering medical school at a young age. During this period, he is tutored in the Japanese martial art of kenjutsu by Murasaki, who descended from a house of Hiroshima Samurai. Despite his seemingly comfortable life, Lecter is consumed by a savage obsession with avenging Mischa's death. He kills for the first time as a teenager, brutally murdering a fishmonger who insults Murasaki; he then methodically tracks down, tortures and murders each of the men who killed his sister, in the process forsaking his relationship with Murasaki and seemingly losing all traces of his humanity. The novel ends with Lecter being accepted into the Johns Hopkins Medical Center.
[edit] In film
Brian Cox as Hannibal "Lecktor" in Manhunter. Cox was the first actor to play the character.
Gaspard Ulliel as young Lecter in Hannibal Rising.
Red Dragon was first adapted to film in 1986 as the Michael Mann film Manhunter. Due to copyright issues, the filmmakers changed the spelling of Lecter's name to "Lecktor". He was played by Scottish actor Brian Cox.[2]
In 1991, Orion Pictures produced a Jonathan Demme-directed adaptation of The Silence of the Lambs, in which Lecter was played by Welsh actor Anthony Hopkins. Hopkins' Academy Award–winning performance made Lecter into a cultural icon. In 2001, Hannibal was adapted to film, with Hopkins reprising his role. The ending for the film was changed from the novel due to the controversy that the novel's ending generated upon its release in 1999: in the film adaptation, Starling attempts to apprehend Lecter, who cuts off his own hand to free himself from her handcuffs. In 2002, Red Dragon was adapted again, this time under its original title, with Hopkins again as Lecter and Edward Norton as Will Graham.
In late 2006, the script for the film Hannibal Rising was adapted to novel format. The novel was written to explain Lecter's development into a serial killer. In the film, the young Lecter is portrayed by Gaspard Ulliel. Both the novel and the film received generally negative critical reception.[3]
In the 1988 sequel The Silence of the Lambs, Lecter assists an FBI agent-in-training named Clarice Starling in catching a serial killer known as "Buffalo Bill". Lecter and Starling form an unusual relationship in which he provides her with a profile of the killer and his modus operandi in exchange for details about her unhappy childhood. Lecter had previously met Buffalo Bill, the former lover of his patient (and eventual victim) Benjamin Raspail; he keeps this information to himself, however, preferring to give Starling information in the form of clues and riddles designed to help her figure it out for herself. Lecter eventually stages a dramatic, bloody escape from captivity and disappears.
In the third novel, 1999's Hannibal, Lecter lives in Florence, Italy, under an assumed name, while Mason Verger, his surviving victim, attempts to capture Lecter with the intention of feeding him to wild boars. Verger enlists the help of Rinaldo Pazzi, a disgraced Italian police inspector, and Paul Krendler, a corrupt Justice Department official. Lecter kills Pazzi and returns to the United States to escape Verger's Sardinian henchmen, only to be captured. After helping kill Verger, Lecter rescues Starling and takes her to his rented lake house to treat her, after she was shot with several tranquilizer darts. During her time there he keeps her sedated, attempting to transform her into his dead sister Mischa through a regimen of classical conditioning and mind-altering drugs. One day, he invites her to a formal dinner where the guest and first course is Paul Krendler, whose brain they consume together. On this night, Starling tells Lecter that Mischa's memory can live within him instead of taking her place. She then offers him her breast, and they become lovers. The novel ends three years later with the couple living in Argentina.
Subsequently, Harris wrote a 2006 prequel, Hannibal Rising, after film producer Dino De Laurentiis (who owned the cinematic rights to the Lecter character), announced that he was going to make a film depicting Lecter's childhood and development into a serial killer with or without Harris' help. (Harris would also write the film's screenplay). The novel chronicles Lecter's early life, from birth into an aristocratic family in Lithuania in 1933, to being orphaned, along with his beloved sister Mischa, in 1941 when a German Stuka bomber attacks the Soviet tank that was in front of their forest hideaway, collecting water. Shortly thereafter, Lecter and Mischa are captured by a band of Nazi collaborators turned deserters, who murder and cannibalize Mischa before her brother's eyes. Lecter is so traumatized that he is rendered temporarily mute and later becomes fixated on cannibalism. Lecter escapes from the deserters and takes up residence in an orphanage (where he is bullied by the other children and abused by the dean) until he turns 16, when he is adopted by his uncle Robert and his Japanese wife, Lady Murasaki. After his uncle dies, Lecter forms a close, pseudo-romantic relationship with his step-aunt; during this time he also shows great intellectual aptitude, entering medical school at a young age. During this period, he is tutored in the Japanese martial art of kenjutsu by Murasaki, who descended from a house of Hiroshima Samurai. Despite his seemingly comfortable life, Lecter is consumed by a savage obsession with avenging Mischa's death. He kills for the first time as a teenager, brutally murdering a fishmonger who insults Murasaki; he then methodically tracks down, tortures and murders each of the men who killed his sister, in the process forsaking his relationship with Murasaki and seemingly losing all traces of his humanity. The novel ends with Lecter being accepted into the Johns Hopkins Medical Center.
[edit] In film
Brian Cox as Hannibal "Lecktor" in Manhunter. Cox was the first actor to play the character.
Gaspard Ulliel as young Lecter in Hannibal Rising.
Red Dragon was first adapted to film in 1986 as the Michael Mann film Manhunter. Due to copyright issues, the filmmakers changed the spelling of Lecter's name to "Lecktor". He was played by Scottish actor Brian Cox.[2]
In 1991, Orion Pictures produced a Jonathan Demme-directed adaptation of The Silence of the Lambs, in which Lecter was played by Welsh actor Anthony Hopkins. Hopkins' Academy Award–winning performance made Lecter into a cultural icon. In 2001, Hannibal was adapted to film, with Hopkins reprising his role. The ending for the film was changed from the novel due to the controversy that the novel's ending generated upon its release in 1999: in the film adaptation, Starling attempts to apprehend Lecter, who cuts off his own hand to free himself from her handcuffs. In 2002, Red Dragon was adapted again, this time under its original title, with Hopkins again as Lecter and Edward Norton as Will Graham.
In late 2006, the script for the film Hannibal Rising was adapted to novel format. The novel was written to explain Lecter's development into a serial killer. In the film, the young Lecter is portrayed by Gaspard Ulliel. Both the novel and the film received generally negative critical reception.[3]
Jean de La Fontaine
Life
Early years
La Fontaine was born at Château-Thierry in Aisne. His father was Charles de La Fontaine, maître des eaux et forêts - a kind of deputy-ranger - of the duchy of Château-Thierry; his mother was Françoise Pidoux. Both sides of his family were of the highest provincial middle class; though they were not noble, his father was fairly wealthy.[1]
Jean, the eldest child, was educated at the collège (grammar school) of Reims, and at the end of his school days he entered the Oratory in May 1641, and the seminary of Saint-Magloire in October of the same year; but a very short sojourn proved to him that he had mistaken his vocation. He then apparently studied law, and is said to have been admitted as avocat (lawyer).
Family life
He was, however, settled in life, or at least might have been so, somewhat early. In 1647 his father resigned his rangership in his favor, and arranged a marriage for him with Marie Héricart, a girl of sixteen, who brought him twenty thousand livres, and expectations. She seems to have been both beautiful and intelligent, but the two did not get along well together. There appears to be absolutely no ground for the vague scandal as to her conduct, which was, for the most part, raised long afterwards by gossip or personal enemies of La Fontaine. All that can be positively said against her is that she was a negligent housewife and an inveterate novel reader; La Fontaine himself was constantly away from home, was certainly not strict in point of conjugal fidelity, and was so bad a man of business that his affairs became involved in hopeless difficulty, and a separation de biens had to take place in 1658. This was a perfectly amicable transaction for the benefit of the family; by degrees, however, the pair, still without any actual quarrel, ceased to live together, and for the greater part of the last forty years of La Fontaine's life he lived in Paris while his wife dwelt at Chateau Thierry, which, however, he frequently visited. One son was born to them in 1653, and was educated and taken care of wholly by his mother.[2]
Paris
Even in the earlier years of his marriage La Fontaine seems to have been much in Paris, but it was not until about 1656 that he became a regular visitor to the capital. The duties of his office, which were only occasional, were compatible with this non-residence. It was not until he was past thirty that his literary career began. The reading of Malherbe, it is said, first awoke poetical fancies in him, but for some time he attempted nothing but trifles in the fashion of the time - epigrams, ballades, rondeaux, etc.
His first serious work was a translation or adaptation of the Eunuchus of Terence (1654). At this time the Maecenas of French writing was the Superintendent Fouquet, to whom La Fontaine was introduced by Jacques Jannart, a connection of his wife's. Few people who paid their court to Fouquet went away empty-handed, and La Fontaine soon received a pension of 1000 livres (1659), on the easy terms of a copy of verses for each quarters receipt. He also began a medley of prose and poetry, entitled Le Songe de Vaux, on Fouquet's famous country house.
It was about this time that his wife's property had to be separately secured to her, and he seems by degrees to have had to sell everything that he owned; but, as he never lacked powerful and generous patrons, this was of small importance to him. In the same year he wrote a ballad, Les Rieurs du Beau-Richard, and this was followed by many small pieces of occasional poetry addressed to various personages from the king downwards.
Fouquet soon incurred the royal displeasure, but La Fontaine, like most of his literary proteges, was not unfaithful to him, the well-known elegy Pleurez, Nymphes de Vaux, being by no means the only proof of his devotion. Indeed it is thought not improbable that a journey to Limoges in 1663 in company with Jannart, and of which we have an account written to his wife, was not wholly spontaneous, as it certainly was not on Jannart's part.
Just at this time his affairs did not look promising. His father and he had assumed the title of esquire, to which they were not strictly entitled, and, some old edicts on the subject having been put in force, an informer procured a sentence against the poet fining him 2000 livres. He found, however, a new protector in the duke and still more in the Duchess of Bouillon, his feudal superiors at Chateau Thierry, and nothing more is heard of the fine.
Some of La Fontaine's liveliest verses are addressed to the duchess, Marie Anne Mancini, the youngest of Mazarin's nieces, and it is even probable that the taste of the duke and duchess for Ariosto had something to do with the writing of his first work of real importance, the first book of the Contes, which appeared in 1664. He was then forty-three years old, and his previous printed productions had been comparatively trivial, though much of his work was handed about in manuscript long before it was regularly published.
Early years
La Fontaine was born at Château-Thierry in Aisne. His father was Charles de La Fontaine, maître des eaux et forêts - a kind of deputy-ranger - of the duchy of Château-Thierry; his mother was Françoise Pidoux. Both sides of his family were of the highest provincial middle class; though they were not noble, his father was fairly wealthy.[1]
Jean, the eldest child, was educated at the collège (grammar school) of Reims, and at the end of his school days he entered the Oratory in May 1641, and the seminary of Saint-Magloire in October of the same year; but a very short sojourn proved to him that he had mistaken his vocation. He then apparently studied law, and is said to have been admitted as avocat (lawyer).
Family life
He was, however, settled in life, or at least might have been so, somewhat early. In 1647 his father resigned his rangership in his favor, and arranged a marriage for him with Marie Héricart, a girl of sixteen, who brought him twenty thousand livres, and expectations. She seems to have been both beautiful and intelligent, but the two did not get along well together. There appears to be absolutely no ground for the vague scandal as to her conduct, which was, for the most part, raised long afterwards by gossip or personal enemies of La Fontaine. All that can be positively said against her is that she was a negligent housewife and an inveterate novel reader; La Fontaine himself was constantly away from home, was certainly not strict in point of conjugal fidelity, and was so bad a man of business that his affairs became involved in hopeless difficulty, and a separation de biens had to take place in 1658. This was a perfectly amicable transaction for the benefit of the family; by degrees, however, the pair, still without any actual quarrel, ceased to live together, and for the greater part of the last forty years of La Fontaine's life he lived in Paris while his wife dwelt at Chateau Thierry, which, however, he frequently visited. One son was born to them in 1653, and was educated and taken care of wholly by his mother.[2]
Paris
Even in the earlier years of his marriage La Fontaine seems to have been much in Paris, but it was not until about 1656 that he became a regular visitor to the capital. The duties of his office, which were only occasional, were compatible with this non-residence. It was not until he was past thirty that his literary career began. The reading of Malherbe, it is said, first awoke poetical fancies in him, but for some time he attempted nothing but trifles in the fashion of the time - epigrams, ballades, rondeaux, etc.
His first serious work was a translation or adaptation of the Eunuchus of Terence (1654). At this time the Maecenas of French writing was the Superintendent Fouquet, to whom La Fontaine was introduced by Jacques Jannart, a connection of his wife's. Few people who paid their court to Fouquet went away empty-handed, and La Fontaine soon received a pension of 1000 livres (1659), on the easy terms of a copy of verses for each quarters receipt. He also began a medley of prose and poetry, entitled Le Songe de Vaux, on Fouquet's famous country house.
It was about this time that his wife's property had to be separately secured to her, and he seems by degrees to have had to sell everything that he owned; but, as he never lacked powerful and generous patrons, this was of small importance to him. In the same year he wrote a ballad, Les Rieurs du Beau-Richard, and this was followed by many small pieces of occasional poetry addressed to various personages from the king downwards.
Fouquet soon incurred the royal displeasure, but La Fontaine, like most of his literary proteges, was not unfaithful to him, the well-known elegy Pleurez, Nymphes de Vaux, being by no means the only proof of his devotion. Indeed it is thought not improbable that a journey to Limoges in 1663 in company with Jannart, and of which we have an account written to his wife, was not wholly spontaneous, as it certainly was not on Jannart's part.
Just at this time his affairs did not look promising. His father and he had assumed the title of esquire, to which they were not strictly entitled, and, some old edicts on the subject having been put in force, an informer procured a sentence against the poet fining him 2000 livres. He found, however, a new protector in the duke and still more in the Duchess of Bouillon, his feudal superiors at Chateau Thierry, and nothing more is heard of the fine.
Some of La Fontaine's liveliest verses are addressed to the duchess, Marie Anne Mancini, the youngest of Mazarin's nieces, and it is even probable that the taste of the duke and duchess for Ariosto had something to do with the writing of his first work of real importance, the first book of the Contes, which appeared in 1664. He was then forty-three years old, and his previous printed productions had been comparatively trivial, though much of his work was handed about in manuscript long before it was regularly published.
Brothers Grimm
The Brothers Grimm (German: Die Brüder Grimm or Die Gebrüder Grimm), Jacob Grimm (January 4, 1785 – September 20, 1863) and Wilhelm Grimm (February 24, 1786 – December 16, 1859), were German academics, linguists, and cultural researchers who collected folklore and published several collections of it as Grimm's Fairy Tales, which became very popular.[1] Jacob also did academic work in philology, related to how the sounds in words shift over time (Grimm's law); he was also a lawyer whose legal work, German Legal Antiquities (Deutsche Rechtsaltertümer) in 1828, made him a valuable source of testimony about the origin and meaning of much legal historical idiom usage and symbolism.[2] They can be counted along with Karl Lachmann and Georg Friedrich Benecke as founding fathers of Germanic philology and German studies. Late in life they undertook the compilation of the first German dictionary: Wilhelm died in December 1859, having completed the letter D; Jacob survived his brother by nearly four years, completing the letters A, B, C and E, and was working on Frucht (fruit) when he collapsed at his desk.
The first collection of fairy tales Children's and Household Tales ((Kinder-und Hausmärchen) was published in 1812 and it contained more than 200 fairy tales. Some collections of the stories had already been written by Charles Perrault in the late 1600s, with somewhat unexpected versions. In the original published forms, the Grimm's fairy tales were dark and violent, in contrast to the lighter, modern "Disney versions" of those tales.
They are among the best-known story tellers of European folk tales, and their work popularized such stories as "Cinderella" (Aschenputtel), "The Frog Prince" (Der Froschkönig), "Hansel and Gretel" (Hänsel und Gretel), "Rapunzel", "Rumpelstiltskin" (Rumpelstilzchen), "Sleeping Beauty" (Dornröschen), and "Snow White" (Schneewittchen).
The first collection of fairy tales Children's and Household Tales ((Kinder-und Hausmärchen) was published in 1812 and it contained more than 200 fairy tales. Some collections of the stories had already been written by Charles Perrault in the late 1600s, with somewhat unexpected versions. In the original published forms, the Grimm's fairy tales were dark and violent, in contrast to the lighter, modern "Disney versions" of those tales.
They are among the best-known story tellers of European folk tales, and their work popularized such stories as "Cinderella" (Aschenputtel), "The Frog Prince" (Der Froschkönig), "Hansel and Gretel" (Hänsel und Gretel), "Rapunzel", "Rumpelstiltskin" (Rumpelstilzchen), "Sleeping Beauty" (Dornröschen), and "Snow White" (Schneewittchen).
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